keskiviikko 30. tammikuuta 2013

Magnecord - U.S. based tape recorder manufacturer

Magnecord 1954
 Magnecord was a U.S. based tape recorder manufacturer. During the 1950's Byer Industries, in Australia, manufactured some models of the Magnecorder under license. Byer Industries Pty. Ltd. were granted the exclusive manufacturing rights of the American "Magnecorder" for the sterling market. The new product would soon be available alongside the company's already familiar BRS disc recording products. A feature of the Magnecorder is high quality combined with portability and adaptability.




This week we’ll conclude our series of archival material courtesy of Magnecord founding partner John Boyers.  John’s son D. graciously scanned every page of every available issue of the company publication “Magnecord INC,” which was published between 1950 and 1954.

  Magnecord was a crucial developer of tape-recording and pro-audio hardware whose contributions have been largely forgotten in the modern era.  I use a Magnecord PT6 at our studio Gold Coast Recorders to make the occasional ‘old-time’ recording and it’s a testament to the skill of engineers like Mr. Boyers that the machine still works great SIXTY years after it rolled out the Chicago plant.

The ‘Magnecord INC’ publications are fascinating because they reveal the dawn of the high-fidelity audio-recording age.  Remember that these (and certain of the AMPEX machines of the era) were portable audio-recorders with 40hz- 15kz frequency response.  These facts opened up world of possibility for audio capture.   Reading through these old issue of “Magnecord INC” opens the door to a time when the world was first figuring out all of the things that could be done with a portable machine that could capture and playback sound to the near-limits of human hearing ability.  Many of the then-novel tape-recording tasks described in these publications may seem mundane; but many are surprising and quite odd applications which never really caught on past a few enthusiastic early-experimenters.

(Source: Preservation Sound)



Magnecord PT63-A (1954)


 The audio fidelity of a wire recording made on one of these post-1945 machines was comparable to a contemporary phonograph record or one of the early tape recorders, given a microphone or other signal source of equal quality. Because of its homogeneous nature and very high speed, wire was relatively free of the noticeable background hiss which characterized tape recordings before the advent of noise reduction systems. The Magnecord Corp. of Chicago briefly manufactured a high-fidelity wire recorder intended for studio use, but soon abandoned the system to concentrate on tape recorders.



Magnecord PT-7A (1954)



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